Local artist Kim Cogan’s solo exhibition in San Francisco’s
Hespe gallery takes its inspiration from the natural and man-made environments
of his native area. Entitled ‘Flotsam’, this collection of paintings feature
brooding melancholy explorations of the desolate and left over remnants of
coastal structures.
Scenes of lighthouses, old boat houses, piers and boats are portrayed in dark greys
and blacks, the built objects melting into their natural surroundings with the
artists choppy brushstroke technique. Most of the works aim towards anonymity,
and successfully retain a sense of other worldliness that make them universal.
There are a few that are more recognizable as local edifices, Surfside Eleven is betrayed by the tell
take steep hill and architectural style to be found in San Francisco’s sunset
district.
Fleischhacker
Pool Ruins, is an obvious giveaway
according to its title, although the painting itself could be any abandoned
building in Americas vast countryside.
Fleichhaker also stands out as being one of the few painting to contain a
different palette of colours, the mood here is overall grey and dystopian. This
is carried through to the wave painting, small studies of waves set in oval
frames that reference at once both contemporary surf photography and more
traditional renaissance landscapes.
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Cogan’s paintings are noticeable for their lack of life, set
in an uninhabited dystopian landscape they remind me of the post-apocalyptic
world of Cormac McCarthy’s The Road.
Kim Cogan’s Flotsam on view in Hespe gallery. 251 Post
street, Suite 420, San Francisco, CA 94108
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